Under the Radar – Society

Modern horror movies tend to fall conceptually flat for me. It’s difficult to think of one that doesn’t feature some version of possession/hauntings, zombies, or some lame version of sexy monster. All very bankable, and most of them dull as dirt. Films that have the courage to truly be out there and weird have become a scarce commodity. And, call me nostalgic, I think you usually have to look to past decades to find them. Society came out in 1989, right in that awkward spot between the slasher movie boom and the genre’s decline–an ideal time to slip something unique out to the public.

Bill Whitney leads a superficially ideal life. Raised by Beverly Hills socialites, his family is wealthy and he’s popular at school. However, he also suffers from anxiety and hallucinations–all rooted in an inexplicable sense of alienation. His feeling are written off as paranoia until he catches his sister’s ex stalking her. After kicking him out of the house, the ex approaches Bill later with a secret audio recording he’s made of the Whitney family involved in some manner of depraved orgy. Stunned, Bill sets out to uncover the truth behind the tape only to find manipulations at every turn.

The whole of Society serves as a very unsubtle but effective allegory: the pristine face presented by the upper class is only a mask hiding its true depravity. The cold courtesy that passes for affection from Billy’s parents, the nod to “breeding” during the reveal, and the gluttonous sociopathy running through the town’s wealthy are all very clear jabs. This message is wrapped in a blackly comic shell that still manages to wring out some genuine tension due to good acting on the part of the lead (Billy Warlock) and  inventively grotesque makeup effects. Things do go a bit too over the top into cheesy territory during the last fifteen minutes or so thanks to a few poor choices and some overacting, but it’s still a thoroughly engrossing ride because there’s literally nothing else quite like it.

Advertisements

About prutigli

Patrick Rutigliano grew up on a steady diet of comic books and horror movies. Making his first sale to Permuted press in 2007, he has since placed stories with several publications in addition to his first collection, Black Corners of a Blood-Red Room. The Untimely Deaths of Daryl Handy is his first independent release. During his off time, Patrick can usually be found attempting to recreate foreign cuisine, sacrificing cardboard to his cats, and having spirited debates with his wife over the failings of Disney villains.
This entry was posted in horror, horror movies and tagged , , , , . Bookmark the permalink.

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s